Like most RPGs, the Final Fantasy installments use an experience level system for character advancement, in which experience points are accumulated by killing enemies. Character classes, specific jobs that enable unique abilities for characters, are another recurring theme. Introduced in the first game, character classes have been used differently in each game. Some restrict a character to a single job to integrate it into the story, while other games feature dynamic job systems that allow the player to choose from multiple classes and switch throughout the game. Though used heavily in many games, such systems have become less prevalent in favor of characters that are more versatile; characters still match an archetype, but are able to learn skills outside their class.
Nobuo Uematsu was the chief music composer of the Final Fantasy series until his resignation from Square Enix in November 2004. Other composers include Masashi Hamauzu, Hitoshi Sakimoto and Junya Nakano. Uematsu was allowed to create much of the music with little direction from the production staff. Sakaguchi, however, would request pieces to fit specific game scenes including battles and exploring different areas of the game world. Once a game's major scenarios were completed, Uematsu would begin writing the music based on the story, characters, and accompanying artwork. He started with a game's main theme, and developed other pieces to match its style. In creating character themes, Uematsu read the game's scenario to determine the characters' personality. He would also ask the scenario writer for more details to scenes he was unsure about. Technical limitations were prevalent in earlier games; Sakaguchi would sometimes instruct Uematsu to only use specific notes. It was not until Final Fantasy IV on the SNES that Uematsu was able to add more subtlety to the music.
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Four stars, one deducted for front of house staff. I went here for a Friday lunch on my birthday and had an overall pleasant experience. When we initially arrived and spoke to the hostess, she was very short with us and honestly seemed like she didn't want to be there at all. It was so unpleasant that I honestly considered not dining at Kappa Sushi. I say this not to call her out, but to hopefully send a message to the business to reevaluate training for their front of house staff. They almost lost my business and have possibly lost other business due to this. We ended up waiting for a table despite this unpleasant encounter, and I'm really happy that we did. The service from the waitress was friendly and prompt. The food was phenomenal. We got the surf and turf roll to share, which was amazing. I got the katsu bento box, and it was great! I would like to return and dine here in the future.
The game indeed reversed Square's lagging fortunes, and it became the company's flagship franchise. Following the success, Square immediately developed a second installment. Because Sakaguchi assumed Final Fantasy would be a stand-alone game, its story was not designed to be expanded by a sequel. The developers instead chose to carry over only thematic similarities from its predecessor, while some of the gameplay elements, such as the character advancement system, were overhauled. This approach has continued throughout the series; each major Final Fantasy game features a new setting, a new cast of characters, and an upgraded battle system. Video game writer John Harris attributed the concept of reworking the game system of each installment to Nihon Falcom's Dragon Slayer series, with which Square was previously involved as a publisher. The company regularly released new games in the main series. However, the time between the releases of Final Fantasy XI (2002), Final Fantasy XII (2006), and Final Fantasy XIII (2009) were much longer than previous games. Following Final Fantasy XIV, Square Enix stated that it intended to release Final Fantasy games either annually or biennially. This switch was to mimic the development cycles of Western games in the Call of Duty, Assassin's Creed and Battlefield series, as well as maintain fan-interest.
What makes a sushi place a 5 star rating for me? Cleanliness, fresh food, good ambience, and good service. All of the above were checked at Kappa Sushi. I came here on a Tuesday night and it was pretty busy. But the hostess was friendly and sat us almost immediately. I ordered miso soup, garlic edamame, and a crunchy role. My friend ordered teriyaki steak. The food came pretty quick and, although it was not the best soup or crunchy roll I have had, it was still good and fresh. (I would have liked more crunchies on that crunchy roll!). My friend liked his steak as well and it was what he had hoped it would be. Overall, service was good, the place was hoppin' but not too noisy, the bathrooms were clean and the prices were fair. I would definitely return!
I'm not a SD local - I'm from the LA area. What I do know is I've had quality sushi and sashimi and it's not here. The reviews are good but I personally was not satisfied or happy with the food I received. Service is good. Servers are polite and the restaurant itself has a nice ambience. Price is typical for a sushi place - it's fish so it's going to be expensive. I got the spicy garlic edamame, 2 piece salmon sushi, and Tazmanian Devil roll. The edamame and sushi were good - that's why I'm giving a 2 star review.. a star for each. The roll was not good. The spicy tuna in it was flavorless and when I took my first bite I questioned if the tuna was rancid. It wasn't rancid, just flavorless and bad quality. The roll was drenched in what seemed like vinegar and that didn't help the taste. I was thoroughly underwhelmed and if you've had quality AYCE or sushi, don't come here. I had some of my wife's CA roll and it was just alright. Not recommended unless you're in a pinch and have nowhere else to eat.
In Final Fantasy games, players command a party of characters as they progress through the game's story by exploring the game world and defeating opponents. Enemies are typically encountered randomly through exploring, a trend which changed in Final Fantasy XI and Final Fantasy XII. The player issues combat orders—like "Fight", "Magic", and "Item"—to individual characters via a menu-driven interface while engaging in battles. Throughout the series, the games have used different battle systems. Prior to Final Fantasy XI, battles were turn-based with the protagonists and antagonists on different sides of the battlefield. Final Fantasy IV introduced the "Active Time Battle" (ATB) system that augmented the turn-based nature with a perpetual time-keeping system. Designed by Hiroyuki Ito, it injected urgency and excitement into combat by requiring the player to act before an enemy attacks, and was used until Final Fantasy X, which implemented the "Conditional Turn-Based" (CTB) system. This new system returned to the previous turn-based system, but added nuances to offer players more challenge. Final Fantasy XI adopted a real-time battle system where characters continuously act depending on the issued command. Final Fantasy XII continued this gameplay with the "Active Dimension Battle" system. Final Fantasy XIII's combat system, designed by the same man who worked on X, was meant to have an action-oriented feel, emulating the cinematic battles in Final Fantasy VII: Advent Children. The latest installment to the franchise, Final Fantasy XV, introduces a new "Open Combat" system. Unlike previous battle systems in the franchise, the "Open Combat" system (OCS) allows players to take on a fully active battle scenario, allowing for free range attacks and movement, giving a much more fluid feel of combat. This system also incorporates a "Tactical" Option during battle, which pauses active battle to allow use of items.
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In 1995, Square showed an interactive SGI technical demonstration of Final Fantasy VI for the then next generation of consoles. The demonstration used Silicon Graphics's prototype Nintendo 64 workstations to create 3D graphics. Fans believed the demo was of a new Final Fantasy game for the Nintendo 64 console; however, 1997 saw the release of Final Fantasy VII for the Sony PlayStation. The switch was due to a dispute with Nintendo over its use of faster but more expensive cartridges, as opposed to the slower and cheaper, but much higher capacity Compact Discs used on rival systems. Final Fantasy VII introduced 3D graphics with fully pre-rendered backgrounds. It was because of this switch to 3D that a CD-ROM format was chosen over a cartridge format. The switch also led to increased production costs and a greater subdivision of the creative staff for Final Fantasy VII and subsequent 3D games in the series.
Magic is another common RPG element in the series. The method by which characters gain magic varies between installments, but is generally divided into classes organized by color: "White magic", which focuses on spells that assist teammates; "Black magic", which focuses on harming enemies; "Red magic", which is a combination of white and black magic, "Blue magic", which mimics enemy attacks; and "Green magic" which focuses on applying status effects to either allies or enemies. Other types of magic frequently appear such as "Time magic", focusing on the themes of time, space, and gravity; and "Summoning magic", which evokes legendary creatures to aid in battle and is a feature that has persisted since Final Fantasy III. Summoned creatures are often referred to by names like "Espers" or "Eidolons" and have been inspired by mythologies from Arabic, Hindu, Norse, and Greek cultures.